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B3 W5: Gender and Social Inclusion - Doing narrative research

Andrews, M., Squire, C., & Tamboukou, M. (2013). Doing narrative research. Sage. "Narrating Sensitive Topics" Margareta Hydén 121-136

"I will make the claim that what is a sensitive topic and what is not is due mainly to relational circumstances, that is, the relationship between the teller and the listener." p.122

"My ideal interviewer - and also my ideal narrative researcher - is a person equipped with the essential skills to assist the interviewee in his or her efforts to narrate." p.123

"Without having experienced the cognitive process of 'having been through' an experience and rendering it some meaning so you 'know about it', it is difficult to discuss the experience." p.125

As a social worker, she felt the power imbalance denied her cooperation with some of the clients.
As a researcher of domestic violence, she felt she was the less powerful one, and therefore "I was the one who asked them for something that was valuable to me, i/e/ their experiences." p.127
But in actuality, there was a different power relation that still left her on top - before it was that she was a representative of the state and could give money and counselling. As a researcher, she held a culturally highly valued position, whereas the battered women were unloved and therefore in a culturally low position. p.127

"if interviews that include sensitive topics deal principally with 'damned old trash' they are potentially harmful, and a basic feature of the sensitive topic of being the victim of domestic violence, for example, strategies of resistance, is left out." p.128

"Narratives are always open to reinterpretation. By passing them on to new audiences, we pave the way for possible new meanings - and as they are passed on, they make entrance into new power relations." p.129

Making space - offering a physical space allows for individuals to voice concerns but also to reform their life history p.130
Offering discursive space allows for topics that individuals wish to discuss but may have been interpreted wrongly, to bring to light p.131
Offering discursive space by challenging the narrative performance - the interviewer challenges the interviewee on the validity of their story which creates the possibility for other narratives to be told. p.132
Offering discursive space by empowering the narrator - interrupting the interview to prevent too much emotional pain and trauma, empowering the interviewee by offering kinship, even in an imagined form

"Different physical spaces offer different discursive spaces." p.135

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